Download e-book for iPad: A Companion to the War Film by Douglas A. Cunningham

By Douglas A. Cunningham

ISBN-10: 1118288890

ISBN-13: 9781118288894

A better half to the struggle Film includes 27 unique essays that study all elements of the style, from the normal battle movie, to the recent international nature of conflicts, and the varied codecs that battle tales imagine in today’s electronic culture.

  • Includes new works from skilled and rising students that extend the scope of the style by way of employing clean theoretical ways and archival assets to the research of the conflict film
  • Moves past the constrained confines of “the strive against movie” to hide home-front motion pictures, foreign and international language motion pictures, and various conflicts and time periods
  • Addresses complicated questions of gender, race, compelled internment, overseas terrorism, and battle protest in movies resembling Full steel Jacket, stable Kill, Grace is long gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of battle, smooth Comrade, and 0 darkish Thirty
  • Provides a nuanced imaginative and prescient of battle movie that brings the style firmly into the 21st Century and issues the way in which for stimulating destiny scholarship

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Additional resources for A Companion to the War Film

Sample text

Mellish and Capt. Miller. Rodat’s inclusion of the linguist poses a thematic question related to the importance of defining virtue in a world full of dangerous, complicated choices. More specifically, the film Antilochus’s Burden 25 examines the extent to which battlefield POWs should be afforded mercy. s kill surrendering Germans. Rather than report this behavior or reprimand the soldiers, he does nothing. After this scene, when Upham confronts the squad over Steamboat Willie’s pending execution, Miller allows Upham’s arguments to influence his unit’s actions.

His commitment to serve his brothers‐in‐arms implicitly recalls Henry V’s oft‐quoted speech before the Battle of Agincourt, where English forces were severely outnumbered by the French, from Shakespeare’s Henry V: And Crispin Crispian shall ne’er go by, From this day to the ending of the world, But we in it shall be remembered— We few, we happy few, we band of brothers; For he to‐day that sheds his blood with me 28 David Ryan Shall be my brother; be he ne’er so vile, This day shall gentle his condition; And gentlemen in England now‐a‐bed Shall think themselves accursed they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin’s day.

Miller’s bereavement message does not gentle Ryan’s condition into quiet grief. Rather, it unintentionally compels Ryan to fight. However, Ryan’s stated reasons for staying and fighting are different than the glory‐seeking, revenge‐ minded Achilles. His commitment to serve his brothers‐in‐arms implicitly recalls Henry V’s oft‐quoted speech before the Battle of Agincourt, where English forces were severely outnumbered by the French, from Shakespeare’s Henry V: And Crispin Crispian shall ne’er go by, From this day to the ending of the world, But we in it shall be remembered— We few, we happy few, we band of brothers; For he to‐day that sheds his blood with me 28 David Ryan Shall be my brother; be he ne’er so vile, This day shall gentle his condition; And gentlemen in England now‐a‐bed Shall think themselves accursed they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin’s day.

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A Companion to the War Film by Douglas A. Cunningham


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